The show is the shoot.

Start a project See the work

Cinematic camera systems and LED environments for tours, worship nights, broadcasts and brand moments — stunning in the room, a finished product the moment it ends.

See the work

Los Angeles · Nashville

Concept Pixels designs cinematic camera systems and LED environments for tours, worship nights, broadcasts and brand moments — so the show looks stunning in the room and becomes a finished product the moment it ends.

Los Angeles · Nashville

Loop · 00:14 · muted

Trusted by

NetflixBrandon LakeDua LipaElevation WorshipMrBeastPassionBET AwardsPhil WickhamRiot GamesCrossroads ChurchChris TomlinTeslaSummer Worship NightsFox NewsBethel MusicThe TeamBilly IdolHarvest with Greg LaurieDisneyTommee ProfittCoachellaJaguar Land RoverMaverick City MusicChick-fil-AFrameworksBTSAlibabaNikeCompassion InternationalPepsiCalvin HarrisTaco BellJCPenneyFanDuelCharlotte FC

What we do

Built for the room. Cut for the release.

All services

Camera operator at the edge of the stage during a live recording

Cinematic Capture & Broadcast

Multicam cinema systems, IMAG, live color, streaming and satellite — the reliability of broadcast with the visual language of cinema.

Performers silhouetted against a full-stage LED wall at Elevation Nights, Toronto

LED, Projection & Display

Screens designed for the room, the camera and the moment. Ballrooms to stadiums, with the media servers and distribution to run it all.

Forest environment across the Wonderwall walls and LED floor at Crossroads Oakley

Sales & Installation

Own the system — installed by people who run the same gear on the road.

Need one team to hold the whole picture? → Production support

The difference

From the room to the release.

One camera system, designed for two screens at once: the IMAG the audience sees tonight, and the film, broadcast or social cut they'll watch tomorrow. Most houses shoot the room. We shoot the release, and the room comes with it.

The King of Hearts set with Brandon Lake on IMAG across every LED surface, reflected on the arena floor — In the room · IMAG
The live moment.
PGM · 21:47:12
Live color · 4K

Program frame from the King of Hearts capture — Brandon Lake on the IMAG cube, Impossible across the side walls

Deliverables · next morning

Livestream◆ aired
Multicam master◆ graded
Social cuts ×6◆ posted
Archive ISOs◆ ingested

Design for both.

We build the camera system for the room and the release at the same time — coverage, movement, lensing and color chosen for the product, not just the screens.

Capture once.

Live IMAG and a recorded, color-managed multicam capture, ingested every night.

Release fast.

Ready-to-post or ready-to-air deliverables with minimal — often no — extra post.

10 line items

Selected work

A few of the shows.

All work

Brandon Lake

Tours

King of Hearts Tour — six-camera cinema capture with live color, IMAG in the room, every ISO recorded nightly.

Two speakers on stage in front of an LED backdrop at Elevation Nights, Hershey

Elevation Worship

Worship

Elevation Nights — scenic and IMAG LED on a redundant backbone, five-camera capture. Seven tours.

Passion

Conferences

Passion Conference — cinematic broadcast at stadium scale.

Angel Stadium at night from the upper deck during Harvest Crusade 2025, both outfield LED screens lit

Harvest with Greg Laurie

Festivals

SoCal Harvest Crusade — scenic LED at Angel Stadium; 45,000 in the room.

CoCreate 2024 keynote wall, ROE GP2, Paris Las Vegas

Alibaba CoCreate

Corporate

Full AVL production in Las Vegas — 300+ tiles of ROE GP2 and a vertical livestream.

The Wonderwall stage at Crossroads Oakley — tracked LED doors and legs, the LED floor and a full room

Crossroads Church

Install

Wonderwall — six LED surfaces on automation, the largest GhostFrame install in the world, in the room every weekend.

All work

Camera operator framing a singer at the edge of the stage during a Tommee Profitt live recording

Built case by case

We don't ship the same package a hundred times.

Under every show is the same engineering backbone: redundant signal paths, broadcast switching, comms, record and delivery you can set your watch by. On top of it, we design the camera system and the screens for the show in front of us — coverage, movement, lensing and color chosen for what the night has to become.

Directors and operators for every style — from clean broadcast coverage to handheld, edge-of-stage cinematic.