Brandon Lake
Tours · WorshipKing of Hearts Tour — six-camera cinema capture with live color, IMAG in the room, every ISO recorded nightly.
The show is the shoot.
Cinematic camera systems and LED walls, floors and displays for tours, worship nights, broadcasts and brand moments — stunning in the room, a finished product the moment it ends.
See the workLos Angeles · Nashville
Concept Pixels designs cinematic camera systems and LED environments — scenic walls, IMAG screens, floors — for tours, worship nights, broadcasts and brand moments, so the show looks stunning in the room and becomes a finished product the moment it ends.
Los Angeles · Nashville
Loop · 00:14 · muted
Trusted by
Trusted by: Netflix, Brandon Lake, Dua Lipa, Elevation Worship, MrBeast, Passion, BET Awards, Phil Wickham, Riot Games, Crossroads Church, Chris Tomlin, Tesla, Summer Worship Nights, Fox News, Bethel Music, The Team, Billy Idol, Harvest with Greg Laurie, Disney, Tommee Profitt, Coachella, Jaguar Land Rover, Maverick City Music, Chick-fil-A, Frameworks, BTS, Alibaba, Nike, Compassion International, Pepsi, Calvin Harris, Taco Bell, JCPenney, FanDuel, Charlotte FC.
What we do
Built for the room. Cut for the release.
Cinematic Capture & Broadcast
Multicam cinema systems, IMAG, live color, streaming and satellite — the reliability of broadcast with the visual language of cinema.
LED, Projection & Display
Screens designed for the room, the camera and the moment. Ballrooms to stadiums, with the media servers and distribution to run it all.
Sales & Installation
Own the system — installed by people who run the same gear on the road.
Need one team to hold the whole picture? → Production support
The difference
From the room to the release.
One camera system, designed for two screens at once: the IMAG the audience sees tonight, and the film, broadcast or social cut they'll watch tomorrow. Most houses shoot the room. We shoot the release, and the room comes with it. The LED comes from the same shop, so the wall is designed for the camera as much as for the seats.
In the room · IMAG
The live moment.
- Livestream◆
- Multicam master◆
- Social cuts ×6◆
Deliverables · next morning
- Livestream◆ aired
- Multicam master◆ graded
- Social cuts ×6◆ posted
- Archive ISOs◆ ingested
9:16
Design for both.
We build the camera system and the screens for the room and the release at the same time — coverage, movement, lensing and color on one side, LED pitch, processing and content on the other, chosen together so the wall and the broadcast agree.
Capture once.
Live IMAG and a recorded, color-managed multicam capture, ingested every night.
Release fast.
Ready-to-post or ready-to-air deliverables with minimal — often no — extra post.
Brandon Lake · King of Hearts Tour · 2025–26From the build sheet
- Cameras
- 4× RED Komodo-X 6K · 2× RED Komodo 6K
- Lenses
- 2× Canon Cine-Servo 50-1000 · 25-250 · 17-120 · 2× 24-105
- Movement
- Handheld on Easyrig · 3× Teradek Ranger wireless · long glass on sticks
- Switching
- Blackmagic ATEM 8K Constellation · 4 M/E panel · 80×80 12G router · fiber rack
- Live color
- Cyanview / LiveGrade shading · a colorist sets the look at rehearsals and the opening shows, and it holds for the run
- Record
- 10× Hyperdeck Pro 12G — every ISO + program, nightly
- IMAG
- Cut to the tour's screens
- Comms
- 2× Riedel Bolero 10-pack
- Crew
- 5 touring — video engineer, 4 camera ops · colorist at rehearsals and the opening shows
- Delivery
- Live album from the run's final capture
10 line items
Selected work
A few of the shows.
Elevation Worship
WorshipElevation Nights — scenic and IMAG LED on a redundant backbone, five-camera capture. Seven tours.
Passion
ConferencesPassion Conference — cinematic broadcast at stadium scale.
Harvest with Greg Laurie
FestivalsSoCal Harvest Crusade — scenic LED at Angel Stadium; 45,000 in the room.
Alibaba CoCreate
CorporateFull AVL production in Las Vegas — 300+ tiles of ROE GP2 and a vertical livestream.
Crossroads Church
InstallWonderwall — six LED surfaces on automation, the largest GhostFrame install in the world, in the room every weekend.
Built case by case
We don't ship the same package a hundred times.
Under every show is the same engineering backbone: redundant signal paths, broadcast switching, comms, record and delivery you can set your watch by. On top of it, we design the camera system and the LED — scenic walls, IMAG, floors — for the show in front of us: coverage, movement, lensing and color on one side, pitch, processing and content on the other, chosen for what the night has to become.
Directors and operators for every style — from clean broadcast coverage to handheld, edge-of-stage cinematic — and two warehouses of ROE LED with the crew chiefs and server operators to run it.
Instruments: RED Komodo-X, ARRI Alexa 35, Canon Cine-Servo, Blackmagic ATEM 8K, DEFY, AGITO, Steadicam, Cyanview live color, ROE, Brompton, disguise, Barco E2, Riedel Bolero.
Who we serve
Five rooms we know by heart.
Partners
